01
Focused
Often 1–2 weeks
A concise idea, limited settings and one primary delivery format.
03 / PROCESS
The exact path changes with the film. The approval gates do not: scope before payment, direction before production and one coherent cut before revisions.
You do not manage models, prompts or disconnected clips. The project moves through a brief, written scope, treatment, planned production, complete edit and controlled review.
FULL PRODUCTION / 01—06
Each stage names what you provide, what the studio produces and what must be approved before the project moves forward.
1–2 BUSINESS DAYS
You describe the intended film, audience, date, budget range and any people, product or place that must stay accurate.
1–3 BUSINESS DAYS
A producer defines duration, finish, versions, revision rounds, rights assumptions and a realistic schedule.
2–5 BUSINESS DAYS
The raw idea becomes a narrative route, visual language and shot plan before expensive production begins.
5–15 BUSINESS DAYS
Shots are made, selected, remade and checked together so people, products and environments do not drift unnoticed.
2–5 BUSINESS DAYS
Picture, pacing, music, voice, captions, color and on-screen claims are assembled into the first complete cut.
2–5 BUSINESS DAYS
Agreed notes are resolved by version, then final masters and specified cutdowns are quality-checked and delivered.
TYPICAL SCHEDULES
These are planning bands after scope, source material and deposit are confirmed. Fixed launch dates are reviewed against real capacity before they enter the quote.
01
Often 1–2 weeks
A concise idea, limited settings and one primary delivery format.
02
Often 2–4 weeks
Narrative continuity, more shot development and a fuller sound finish.
03
Often 3–6 weeks
Accuracy constraints, approvals, usage and multiple campaign versions.
PROCESS BEGINS WITH FIT
Describe the intended result first. A producer confirms fit, missing information, schedule and quote before you choose to begin.
Describe your project